Nadine Labaki talks to us about her new film Capernaum, touted as the twenty-first century Bicycle Thieves.
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We asked our most discerning music fan to listen to the five tracks nominated for Best Original Song and tell us which ditty should take home the statue.
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Our 19 most anticipated releases still to come in 2019.
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We spoke to the team at AllCity about their poster design for Lee Chang-dong’s Burning, as enigmatic a film as we’ve seen in years.
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Once again, Curzon cinemas and Curzon Home Cinema play host to the nominated short films, animations and documentaries for this year’s BAFTA awards. Here’s what the filmmakers had this to say about their work.
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Richard E. Grant joined us at Curzon Soho recently for a Can You Ever Forgive Me? Q&A. A born raconteur, Grant had the audience captivated with tales of his career and his latest role.
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Adam McKay’s Vice, a scabrously funny take-down of former VP Dick Cheney, features at its centre a barn-storming, prosthetically-enhanced performance by Christian Bale.
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Nic Sheff, the real life Beautiful Boy, and his father David tell us what drove them to tell their story.
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We spoke to Shirley Henderson and Nina Arianda about their roles in Stan & Ollie, playing Lucille Hardy and Ida Laurel, the wives of one of comedy’s greatest double acts, Laurel and Hardy.
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As must-see films The Front Runner and Vice arrive in Curzon cinemas this month, Curzon Home Cinema has put together a collection of films that offer a colourful portrait of the US political landscape.
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We sat down with Simon Russell Beale to talk about the neglected play The Tragedy of Richard II, why it matters to modern audiences and how actors work with the event cinema experience.
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Wash Westmoreland on how he transported Keira Knightley back in time to ‘The Beautiful Era’ of 1875, France, the world inhabited by the radical French author, Colette.
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From Dogtooth to The Favourite, there is only one designer Yorgos Lanthimos will work with for his films’ posters. That designer is Vasilis Marmatakis.
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Director Yen Tan talks to us about his new film 1985, the significance and legacy of that year, and telling his ten year old self that it is all going to be okay.
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The votes are in, the scores are settled… it’s time to reveal the Curzon staff top ten films of 2018.
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Cold War sweeps the European Film Awards. This weekend Curzon Podcast hosts Jake Cunningham and Sam Howlett headed to Seville for the 31st edition of this European celebration of cinema.
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We're celebrating the festive season with a new approach to the Curzon12 curated selection. Gabrielle Kere, one of the staff members at Curzon Soho has designed a series of images to accompany the films.
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As Escobar comes to Curzon Home Cinema, we look at how cinema and TV has captured the often violent world of drug cartels and their smuggling operations.
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A new season of films inspired by the work of Argentinian author Jorge Luis Borges screen in part at Curzon Bloomsbury. Programmer Steven Ryder tells us why Borges has had such a powerful influence on cinema.
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Following the premiere of David Lowery's elegiac The Old Man & the Gun, the film's star Robert Redford announced it would be his last role as an actor, a fitting end to an illustrious career.
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